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Gordon Parsons
nazi nightmares
Books / 2 May 2025
2 May 2025

GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin

titus
Theatre review / 2 May 2025
2 May 2025

GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare

Pier Paolo Pasolini as Chaucer in his film of The Canterbury
Books / 16 October 2024
16 October 2024
GORDON PARSONS recommends an ideal introduction to the writer who was first to give the English a literary language
Books / 6 August 2024
6 August 2024
GORDON PARSONS welcomes a graphic biography of George Sand, the most popular French novelist in 19th-century Britain
The cast of School for Scandal
Theatre Review / 10 July 2024
10 July 2024
GORDON PARSONS relishes a fast moving production of Sheridan’s comic masterpiece
ELOQUENT SILENCES: The company in English by Sanaz Toossi
Theatre review / 16 May 2024
16 May 2024
GORDON PARSONS relishes a play that reveals how language carries much more than simple communication
Frontage of the Constitutional Court of South Africa in Joha
Books / 3 September 2023
3 September 2023
GORDON PARSONS appreciates a very necessary exploration of the benefit of knowing more than one language
KNOCK KNOCK WHO'S THERE? Alison Peebles as the Porter
Theatre Review / 31 August 2023
31 August 2023
GORDON PARSONS witnesses a production committed to great fun but signifying nothing 
Joanne Howarth as Mrs Hargreaves in Falkland Sound
Theatre Review / 24 August 2023
24 August 2023
GORDON PARSONS is underwhelmed by the inflation of a petty war into the undeserved status of epic
Cat White (Helen), Conor Glean (Cloten), Marcia Lecky (Dorot
Theatre Review / 5 May 2023
5 May 2023
GORDON PARSONS wonders at a near perfect production of Shakespeare’s eloquent fairytale
Illustration: Barbara Stok
Graphic Novel / 14 February 2023
14 February 2023
GORDON PARSONS enjoys the tale of a self-emancipating woman told with deceptive simplicity
(L to R) Matthew Trevannion as Brabantio/Lodovico, (on table
Culture / 7 December 2022
7 December 2022
(L to R) Jade Ogugua as Vi, Joe Barber as Laurie  and Tim Tr
Theatre / 21 October 2022
21 October 2022
L to R) Toy Soldierand Zaporozhian (Cossack)
Theatre Review / 14 September 2022
14 September 2022
Uniformity of ‘talking heads’ presentation annihilates all possibility of conveying the true drama inherent in the play, suggests GORDON PARSONS
Book Review / 17 June 2022
17 June 2022
THE STRUGGLE CONTINUES: 'Being black connotes a lack of a ri
BOOKS / 13 May 2022
13 May 2022
GORDON PARSONS recommends a book that will keep the reader, black or white, fully engaged and, as importantly, self-questioning
Company in full flow
Theatre Review / 1 March 2022
1 March 2022
GORDON PARSONS recommends a production that makes no demands other than being entertained
ESCAPING A TOXIC PAST: The statue of Edward Colston is pulle
Book Review / 14 January 2022
14 January 2022
GORDON PARSONS on a thought-provoking reflection on our out of joint times and a warning that there is no escape into the past
UTTERLY ABSORBING: Oliver Ford Davies (Graham Greene, left)
Culture / 1 December 2021
1 December 2021
On stage the intriguing Splinter of Ice, eccentricity of Wuthering Heights and a revival of the Living Newspaper tradition absorbed just as much as the graphic novel The Dancing Plague, Ariel Dorfman’s The Compensation Bureau or Mario Vargas Llosa’s Harsh Times
SPLENDIDLY TALENTED: Ensemble acting
Theatre Review / 4 October 2021
4 October 2021
A cautionary melodrama that hits the right notes in articulating the realities of class-ridden society with omnipresent violence against women, writes GORDON PARSONS
INCOMPREHENSION: Protesters outside the Crowne Plaza London
Book Review / 17 August 2021
17 August 2021
Narratives from detained refugees who exist in a virtual lawless world with no fixed sentences
ON THE TREADMILL: Scene from The Language of Kindness
THEATRE / 25 May 2021
25 May 2021
GORDON PARSONS recommends an excellent theatrical tribute to nursing staff
SHAKESPEARE'S STAGES: A panorama of London by Claes Van Viss
LITERATURE / 17 May 2021
17 May 2021
Research into the lost plays of the Shakespearean period provides new insights into the Bard and his work, says GORDON PARSONS
FRIENDS REUNITED: Graham Greene (Oliver Ford Davies) and Kim
THEATRE ONLINE / 22 April 2021
22 April 2021
Engrossing drama of Moscow meeting between Soviet spy Kim Philby and novelist Graham Greene
LAVATORIAL: The Foreign Invasion
THEATRE ONLINE / 6 April 2021
6 April 2021
GORDON PARSONS recommends a sharply satirical take on what awaits us after the pandemic ends
INHUMAN: (Right) Photograph, c1890) of an enslaved boy in Za
BOOKS / 23 February 2021
23 February 2021
Succinct account of colonialism’s history of blood, cruelty and greed
FRUSTRATED: Kwame Bentil in Railway Worker
ONLINE THEATRE / 16 February 2021
16 February 2021
Resonant accounts of the impact of the pandemic on the black community
SPOOKY: Russian spy Verloc (Toby Jones, right) is instructed
BOOKS / 25 January 2021
25 January 2021
Enlightening overview of a literary pioneer
BOOKS / 3 January 2021
3 January 2021
Remarkable exploration of how we construct our sense of belonging
Best of 2020 / 4 December 2020
4 December 2020
Tales from the Front Line… and other stories
Theatre / 4 December 2020
4 December 2020
Virus of racism diagnosed in acute commentaries on pandemic
Book Review / 12 November 2020
12 November 2020
Levy’s compendium is as concerned with the legacy of the Vietnam War on the hapless vets, trying to live in a society which responded with the standard ‘thank you for your service’
Juliet Stevenson’s hard-edged Hellman carry the core of th
Theatre / 4 November 2020
4 November 2020
On the eve of France’s 1940 surrender an intriguing gathering takes place at Gertrude Stein and Alice Toklas’s renowned Paris salon
PERFORMANCE ONLINE / 19 August 2020
19 August 2020
Lockdown diversions from the heart of Scotland
Books / 19 June 2020
19 June 2020
Intriguing account of Lenin's time in London
THEATRE ONLINE / 28 April 2020
28 April 2020
Timely revival of play on Chinese dissident
THEATRE ONLINE / 22 April 2020
22 April 2020
Hospital drama from 2014 resonates at a time of NHS crisis
THEATRE ONLINE / 10 April 2020
10 April 2020
Powerful reminder of the war against the miners in 1984-85
ONLINE THEATRE / 1 April 2020
1 April 2020
Ingenious whistleblower drama from Mike Bartlett now online
IN FOCUS THROUGHOUT: Jodie McNee as Johanna
THEATRE / 30 January 2020
30 January 2020
Ingenious reworking of Dr Faustus less than the sum of its parts
‘RADICAL STAR’: Portrait of Defoe by unknown artist
Books / 13 January 2020
13 January 2020
Radical demystification of Daniel Defoe’s iconic work
STILL RELEVANT: Keir Hardie
Books / 16 December 2019
16 December 2019
Timely reminder of Labour Party founder's vision
LEST WE FORGET: Stalingrad after the battle
Year round-up / 6 December 2019
6 December 2019
Mirror to life: John Kani and Anthony Sher in Kunene and the
Culture / 26 November 2019
26 November 2019
John Kani's Kunene and the King, set in post-apartheid South Africa, was a highlight of the year
Noam Chomsky
Book Review / 27 October 2019
27 October 2019
Essays on the role of intellectuals in a conflicted contemporary world
History lesson: A Museum in Baghdad
Theatre Review / 27 October 2019
27 October 2019
Hannah Khalil’s ambitious new play suffers from information overload
Product of his times: the young Karl Marx
Book Review / 14 October 2019
14 October 2019
Magisterial biography of Marx's early life and times
Attention seeking: Eleanor Rhode’s production of King John
Theatre Review / 29 September 2019
29 September 2019
Director's cut Shakespeare sacrifices coherence for chaos
Bearing witness: Nayrouz Qarmout
Fiction Review / 15 September 2019
15 September 2019
GORDON PARSONS recommends a collection of short stories on the grim realities of existence in Gaza
Stage managed: Black Friday, 2014
Book Review / 25 August 2019
25 August 2019
GORDON PARSONS recommends an evocative exploration of how working-class attitudes have evolved over time in Britain
Edinburgh Fringe / 15 August 2019
15 August 2019
Theatre Review / 6 August 2019
6 August 2019
Bearing witness: Vasily Grossman in Stalingrad
Book Review / 17 July 2019
17 July 2019
The novel Stalingrad is a magnificent account of the people who endured the battle which changed the course of WWII, says GORDON PARSONS
Promising: Rich Kids: A History of Shopping Malls in Tehran
Arts Ahead / 15 July 2019
15 July 2019
There are thousands of shows to choose from at this year's festival. GORDON PARSONS helps you make your mind up
Claustrophobic: The Hunt
Theatre Review / 30 June 2019
30 June 2019
Thomas Vinterberg’s film about a teacher wrongly accused of child abuse gets a powerful stage adaptation
Recluse: Ruth Lass as Silvia de Zigaro
Culture / 30 June 2019
30 June 2019
Engagingly old-fashioned ghost story dressed up in modern clothes
Patriarch: Les Denis as Priuli
Theatre review / 2 June 2019
2 June 2019
The conflict between love and honour in Thomas Otway’s Restoration tragedy gets a modish yet uneven update by the RSC
Portrait of Pushkin by Orest Kipresnky, 1827
Book review / 23 May 2019
23 May 2019
Compelling account of the great Russian poet Alexander Pushkin's defiance of autocracy
Comic turn: Caroline Quentin as Lady Fancyfull
Theatre Review / 12 May 2019
12 May 2019
The RSC are in assured form in a classic Restoration farce
Mirror to apartheid: John Kani and Anthony Sher in Kunene an
Theatre Review / 5 April 2019
5 April 2019
There's an invisible third presence throughout John Kani’s magnificent play — the malevolent incubus of apartheid, says GORDON PARSONS
Role reversal: Claire Price as Petruchia and Joseph Arkley a
Theatre Review / 21 March 2019
21 March 2019
Shakespeare's misogynistic comedy gets a #MeToo update
Playing for laughs: Lucy Phelps (Rosalind) and Amelia Donkor
Culture / 3 March 2019
3 March 2019
There’s little to like in this Shakespearean comedy which, played relentlessly for laughs, ignores its sexual ambiguities
Culture / 1 March 2019
1 March 2019
Florian Zeller's play is an engrossing study of the neuroses besetting the modern bourgeois family
Credible skinflint: Adan Gillet as Scrooge
Theatre Review / 16 December 2018
16 December 2018
GORDON PARSONS recommends a production of a Dickens classic with contemporary undertones
Authoritative: Neil Faulkner
Culture / 5 December 2018
5 December 2018
by GORDON PARSONS
Love letter to theatre: Wise Children
Year round-up / 26 November 2018
26 November 2018
Motley crew:  James Cooney (Patroclus), Andy Apollo (Achill
Theatre Review / 21 October 2018
21 October 2018
Book Review / 18 October 2018
18 October 2018
Stroll on: Allison Cook as Salome
Opera Review / 3 October 2018
3 October 2018
Hypocrisy in action: Asif Khan as Tartuffe
Theatre Review / 25 September 2018
25 September 2018
GORDON PARSONS sees an adaptation of Moliere’s satire on religious hypocrisy translate magnificently from 17th century Paris to 21st century Birmingham
Traverse / 16 August 2018
16 August 2018
GORDON PARSONS believes the Traverse Festival offers a treasure trove for the casual theatre-goer
Opera Review / 10 August 2018
10 August 2018
Culture / 7 August 2018
7 August 2018
GORDON PARSONS falls head over heels with a production that dazzles with its nanotechnology
Book review / 13 May 2018
13 May 2018
Book review / 11 April 2018
11 April 2018
Theatre Review / 5 April 2018
5 April 2018
Theatre Review / 22 March 2018
22 March 2018
GORDON PARSONS sees a rapid-fire production of Macbeth that allows no pause for thought
Gore fest: The Duchess of Malfi
Theatre Review / 11 March 2018
11 March 2018
Wider reach: The RSC is broadcasting its production of Macbe
Opinion / 11 February 2018
11 February 2018
GORDON PARSONS responds to Chris Jury's attack on the ‘Shakespeare cult’ in the Morning Star
Juliet Stevenson (centre)
Theatre Review / 28 January 2018
28 January 2018
GORDON PARSONS sees an imagined confrontation between Queen Elizabeth I and the jailed Mary Queen of Scots which reveals them as equally confined by personal and political traumas
Power play: Imperium Part II
Theatre Review / 14 December 2017
14 December 2017
An RSC adaptation of Robert Harris's novels about power politics in ancient Rome loses something in translation from page to stage, says GORDON PARSONS
2017 Round-up / 14 December 2017
14 December 2017
Theatre review / 8 December 2017
8 December 2017
Lurking beneath the festive jollity, the RSC's version of the Dickens classic is a salutary reminder of grim present realities, says GORDON PARSONS
2017 Round-ups / 3 December 2017
3 December 2017
CONSUMMATE PERFORMER: Juliet Stevenson (middle)
Theatre review / 6 October 2017
6 October 2017
GORDON PARSONS recommends Arthur Kopit's play on a woman inescapably trapped in the mental torture induced by a stroke
Theatre Review / 2 October 2017
2 October 2017
Theatre Review / 29 September 2017
29 September 2017
Gordon Parsons reviews Dido, Queen of Carthage, at the Swan Theatre in Stratford-upon-Avon