STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
Latest editorial
This Salome is a really rocky horror show
Stroll on: Allison Cook as Salome
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
Salome
London Coliseum
AT ITS best, the combination of plot, music, acting and direction in opera can provide a pinnacle of dramatic and theatrical achievement. Any failure of even one of these elements may result in the kind of production that turns off many theatre-goers.
Similar stories
GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
DAVID NICHOLSON sees in the new year in grand orchestral style, courtesy of the fine musicians of the WNO
