Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA

Scottish Ballet
The Crucible, Edinburgh
★★★★
“Words often fail to tell us how we feel and movement can do that,” claims composer Peter Salem. Choreographer Helen Picket has chosen possibly Arthur Miller’s most powerfully emotional play for Scottish Ballet to test that theory.
Picket’s narrative ballet faithfully follows Miller’s plot dealing with the 17th-century Salem witch trials in a society trapped in its web of moral fundamentalism. Even an audience unfamiliar with the play would easily follow the action.
The music is equally programmatic, with repetitive menacing rhythms only occasionally moving into sometimes plaintive lyricism to mark the more intimate moments.

GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin

GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare

