To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Insights into political contradictions and certitudes of ‘gloomy sage’ George Orwell
Establishment mouthpiece: George Orwell broadcasts for the BBC in 1940
[BBC/Creative Commons]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Liberty, Equality, and Humbug: Orwell’s Political Ideals
by David Dwan
(Oxford University Press, £25)
THE inclusion of “humbug” in the title of David Dwan’s examination of the ideals that drove one of the most controversial political writers of the mid-20th century does not necessarily imply that he is about demolishing George Orwell’s reputation.
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GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years
