MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Shades of Tay, Pitlochry Festival Theatre
Lockdown diversions from the heart of Scotland
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
DESCRIBED as a love letter to Scotland, Shades of Tay is intended as “a gift to those isolated by Covid-19 and those who feel isolated from theatre in general.”
Thus a line-up of 18 British playwrights, commissioned by Pitlochry Theatre’s artistic director Elizabeth Newman — among them Timberlake Wertenbaker, Jo Clifford and Hannah Khalil — are producing weekly audio dramas, podcasts and short films performed by members of the theatre’s summer season’s ensemble.
Digitally available until late November, the series was launched with the 30-minute-long Beautiful Boy by Douglas Maxwell, a painfully moving lyrical monologue, delivered against a shifting, shimmering collage video of the river and its wooded landscape.
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