Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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1927 Theatre Company’s innovative style of narrative charms and entertains in equal measure
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
Edinburgh Festival
Roots
The Church Hill Theatre
★★★★
“A RATHER ragtag collection of folk jokes and stories” presented in “a combination of live music, pre-recorded stories voiced by non-actors, animation, acting and live dialogue.”
Writer Suzanne Andrade’s description of her production hardly captures what must be one of the most joyous shows in this year’s Edinburgh Festival.
The award-winning 1927 Theatre Company’s innovative style of melding images, reminiscent of black and white silent films — the company’s name gives a clue — with back and front projections, “colour” added by the marionette-like live performers, charms all but the most sophisticatedly resistant audiences back to the delights of childhood.
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