MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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The Hunt, Almeida Theatre, London
Thomas Vinterberg’s film about a teacher wrongly accused of child abuse gets a powerful stage adaptation
Claustrophobic: The Hunt
[Marc Brenner] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
WHEN the caring Lucas, the sole kindergarten teacher in a small rural Danish town, gently reproves the innocent advances of the loveless five-year-old Klara, her hurt feelings unintentionally lead her to accuse him of having indecently exposed himself.
The stiflingly repressed locals readily accept her version of events and they proceed to hound the innocent Lucas (Tobias Menzies). Emotionally inhibited and with his marriage on the rocks, he can only silently communicate his affection for his infant charges, his son and his estranged friends.
He becomes the ready prey of his erstwhile companions, with his bottled-up courage only enraging them further.
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GORDON PARSONS is riveted by a translation of Shakespeare’s tragedy into joyous comedy set in a southern black homestead
GORDON PARSONS is enthralled by an erudite and entertaining account of where the language we speak came from
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy
