Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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The Canadian Inuit plight is given a stage with a powerful advocacy
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
Kiinalik: These Sharp Tools
The Studio, Edinburgh
★★★★
BUDDIES in Bad Times Theatre Company claims to be Toronto’s leading destination for artistic and alternative theatre and a world leader in developing queer voices. Certainly singer-songwriter Evalyn Parry, and Inuit artist and performer Laakkuluk Williamson Bathory, bring something different to the Edinburgh Festival.
Their show rather than drama — although it is quite dramatic enough — is a mixture of convivial but instructive conversation, story and songs relating to the lives of these two Canadians from separate worlds, and explosive anger directed at the audience designed to illustrate the strangling colonial oppression of Bathory’s Inuit people, especially their women
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