MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
Latest editorial
Kiss of death by video
Uniformity of ‘talking heads’ presentation annihilates all possibility of conveying the true drama inherent in the play, suggests GORDON PARSONS
L to R) Toy Soldierand Zaporozhian (Cossack)
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
Planet Speranta
Finborough Theatre Online
FINBOROUGH Theatre’s Frontier has unearthed this 1965 work by a leading Soviet-Ukrainian playwright, Oleksii Kolomiiets, for its Voices From Ukraine programme of YouTube plays and interviews.
Planet Speranta (Hope) has five WWII Soviet soldiers holed up in a Ukrainian bunker surrounded by German troops.
One by one they are anonymously ordered out, presumably on a desperate attempt to report to their base while those left discuss life, love, fear and death.
More from this author
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare
GORDON PARSONS recommends an ideal introduction to the writer who was first to give the English a literary language
GORDON PARSONS welcomes a graphic biography of George Sand, the most popular French novelist in 19th-century Britain
