WILL STONE fact-checks the colourful life of Ozzy Osbourne
Best of 2019: Theatre
John Kani's Kunene and the King, set in post-apartheid South Africa, was a highlight of the year
Mirror to life: John Kani and Anthony Sher in Kunene and the King
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
THERE is always a place for skilful modern treatments of the classics and Tom Morris’s production of Cyrano de Bergerac, adapted by Peter Oswald, bubbled with a sparky contemporary wit.
More from this author
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity
GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music
GORDON PARSONS recommends a gripping account of flawed justice in the case of Pinochet and the Nazi fugitive Walther Rauff
