MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
Sound and fury
GORDON PARSONS witnesses a production committed to great fun but signifying nothing

Macbeth
The Royal Shakespeare Theatre, Stratford-upon-Avon
THERE has long been an ongoing question at the RSC as to how to present Shakespeare to modern and, it is hoped, more youthful audiences.
There is a moment in Wils Wilson’s new production of Macbeth clearly indicating how we are encouraged to respond to this version of Shakespeare’s most profound treatment of the corrupting futility of ruthless ambition.
More from this author

GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin

GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare

GORDON PARSONS recommends an ideal introduction to the writer who was first to give the English a literary language

GORDON PARSONS welcomes a graphic biography of George Sand, the most popular French novelist in 19th-century Britain