To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Geoffrey Chaucer: Unveiling the Merry Bard
Mary Flannery, Reaktion Books, £16.99
GIVEN that even with the enormous modern research into Shakespeare’s life there is still a paucity of detailed knowledge, Mary Flannery is courageous in taking on a biography of the other icon of English literature, Geoffrey Chaucer, of whose personal life even less is known.
She does have the advantage, however, that medieval records provide revealing evidence of the latter whose active public life as civil servant, diplomat and MP was spent on the fringes of administrative and political power during the tumultuous later years of the 14th century.
When she comes to what kind of man Chaucer was, her descriptions are necessarily very largely based on suppositions. Her account is prefaced regularly with phrases such as ”it is unclear,” “it may have been,” and “it seems problematic.” Even a description of the construction of a new Custom House including a latrine which, it is “conjectured” Chaucer, customs comptroller (sic) for the Port of London, may have used.
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer


