MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

Tartuffe
The Swan Theatre, Stratford-Upon-Avon
SET in the Brummie-Pakistani Muslim household of a successful businessman who has become obsessed by a local would-be imam, Iqbal Khan’s production of Tartuffe works a remarkable theatrical alchemy.
One can imagine some devout believers of Birmingham’s large Pakistani Muslim community being as outraged by this treatment of their religion as Louis XIV’s religious establishment when the play originally aroused so much antagonism.
But from the outset Anil Gupta and Richard Pinto’s adaptation, true to Moliere, ensures that the reactions of Imran Pervaiz’s family clearly show that Tartuffe is an out-and-out phoney. Asif Khan as the toothily oily imposter cons his credulous victim with beguiling ease.

GORDON PARSONS is riveted by a translation of Shakespeare’s tragedy into joyous comedy set in a southern black homestead

GORDON PARSONS is enthralled by an erudite and entertaining account of where the language we speak came from

GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience

GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy