STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Wonderland, Hampstead Theatre London
Powerful reminder of the war against the miners in 1984-85
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
BETH STEEL'S Wonderland, the second of Hampstead Theatre’s trio of free online productions, was originally performed in 2014.
Even then, its hard-hitting political message — presented through a mixture of song and documentary commentary — must have reminded those with long memories of John McGrath’s innovatory 7:84 touring company of the 1980s.
Dealing with Thatcher’s carefully pre-planned and ruthless 1984-85 war against the miners, Edward Hall’s production takes us down the pit, where we meet the Iron Lady’s “enemy within” — the men who worked in an environment and under conditions that for most people would be viewed as a daily hell.
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