MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
HOWARD BRENTON’S 2013 dramatic treatment of Chinese dissident artist Ai Weiwei’s arrest and 81-day interrogation has acquired fresh relevance today, as part of Hampstead Theatre's “at home” online season.
With Trump rekindling cold-war embers, this well-tested dramatic formula of mental torture techniques, with the victim subjected to disorientation pressures designed to extort confessions, fits well into the media’s current anti-Chinese narrative.
The central interrogation, first by a fairly amateurish police unit who appear to be bewildered by their unusual prisoner, and then by the political department under military auspices, has a compelling authenticity owing to Benedict Wong’s convincing performance as the victim.

GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today

GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity

GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music

GORDON PARSONS recommends a gripping account of flawed justice in the case of Pinochet and the Nazi fugitive Walther Rauff