MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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HOWARD BRENTON’S 2013 dramatic treatment of Chinese dissident artist Ai Weiwei’s arrest and 81-day interrogation has acquired fresh relevance today, as part of Hampstead Theatre's “at home” online season.
With Trump rekindling cold-war embers, this well-tested dramatic formula of mental torture techniques, with the victim subjected to disorientation pressures designed to extort confessions, fits well into the media’s current anti-Chinese narrative.
The central interrogation, first by a fairly amateurish police unit who appear to be bewildered by their unusual prisoner, and then by the political department under military auspices, has a compelling authenticity owing to Benedict Wong’s convincing performance as the victim.
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