WILL STONE fact-checks the colourful life of Ozzy Osbourne
Book Review: Working Aesthetics: Labour, Art and Capitalism
Danielle Child's book tackles the neoliberal penetration of artistic production from a Marxist perspective
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
Working Aesthetics: Labour, Art and Capitalism
by Danielle Child
(Bloomsbury, £21.99)
UNUSUALLY for a young art historian, Danielle Child bases her discussion of the relationship between contemporary art, labour and capitalism on the “Marxian” ideology that art, as part of the superstructure, is defined by its economic base.
Focusing mostly on US and British art, where neoliberalism has been strongest, she argues that its managerialist, fragmented, individualised and precarious working models are mirrored by new artistic practices since the 1990s.
More from this author
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
CHRISTINE LINDEY salutes an outstanding exhibition imbued with a sense of national guilt
CHRISTINE LINDEY surveys the cosmopolitan, enigmatic compositions of an idiosyncratic artist whose work speaks of mystery and exile
