MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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The eloquence of everyday objects
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Daniel Lind-Ramos, Ensamblajes, Nottingham Contemporary
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Allan Weber, My Order
★★★★★, Nottingham Contemporary
Daniel Lind-Ramos, Ensamblajes
★★★★★, Nottingham Contemporary
DONALD TRUMP’s philistinism is apparent in his fondness for self-aggrandising kitsch, but the Kennedy Center putsch — in which Trump unilaterally installed himself as chair of Washington DC’s temple of the fine arts — suggests an understanding that culture can shape the national psyche.
Perhaps we should expect further co-option of performing arts institutions in support of the MAGA cause. Will the list of Trump-approved artists be limited to Confederate flag flaunter Kid Rock, swastika T-shirt pusher Kanye West and deportation cheerleader Ted Nugent?
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ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
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ANDY HEDGECOCK invites readers to contribute short fiction to our arts pages, offers some guidance and picks a few favourites
ANDY HEDGECOCK explores the implications of a recent statistical study of music lyrics that highlights the role of monopoly capital in silencing complexity
