To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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‘I am definitely not a jazz singer’
ELAINE MITCHENER is a singer who defies all categories — and that’s the way she likes it, she tells Chris Searle
Genre-busting: Elaine Mitchener
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
AT SCHOOL in Tower Hamlets in east London, Elaine Mitchener’s flute teacher was a jazz and free-improvising musician who introduced her to the greats — from musicians Charlie Parker to John Coltrane, vocalists from Billie Holiday to Janet Baker and composers such as Bela Bartok and Karlheinz Stockhausen.
Thus her inspiration, she stresses, is “environmental. I am definitely not a jazz singer.” As well as a vocalist, she’s a movement artist and composer who's been described the Finanacial Times as a “genre-crossing virtuoso.”
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