GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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‘I enjoy the company of women musicians. It creates a different, supportive atmosphere on stage’
CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
Ineza
[kerstan]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
THE Rwanda-born singer Ineza, says of her striking and beautifully sung first album Women’s Words, Sisters’ Stories: “Its unifying theme is championing the works of female composers, singers and songwriters in the jazz world.”
Her accompanying band are all women, with the exception of pianist Alex Webb: bassist Charlie Pyne, Katie Patterson on drums, trombonist Rosie Turton and tenor saxophonist Maddy Coombs. There is also an all-women string quartet of violinists Johanna Burnheart and Annalise Lam, with Julia dos Reis on viola and cellist Miranda Lewis-Brown.
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