TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
‘When it comes to Britain’s colonial past, music can be part of that reckoning’
CHRIS SEARLE speaks to British Nigerian/Jamaican pianist ROELLA OLORO
Roella Oloro, 2021
[Jack Kendon] 
The bard rests on his laurels, and swipes left and right
MARIA DUARTE cherishes the flashes of absurd humour and theme of community healing in a documentary set in a Soviet-era Black Sea sanatorium
ANGUS REID and MARIA DUARTE review The Courageous, The Cut, Christy, and On Swift Horses
TOM STONE sings the praises of one of the oldest open-air festivals in Britain
Chris Searle speaks to accordionist KAREN STREET
IT was an especially groovy session at the Vortex, with Roella Oloro’s sparkling piano, the plummeting, dancing bass of Rio Kai and the deft, everywhere drums of Andee Liu.
Roella plays in and out of the tradition with such pride and skill, that if you shut your eyes you could be hearing moments of Geri Allen, Mary Lou Williams, Tommy Flanagan or her earliest inspiration, Oscar Peterson. How they would have loved her!
More from this author
CHRIS SEARLE encourages you to go hear a landmark performance, and introduces some of the musicians
CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
