STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Wondrous Windy City women
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
SINCE the late 1960s, Art Ensemble of Chicago has been tearing open the sound fabric of complacent jazz. The quintet have forged sonic waves that were revolutionary in their conception and audacious in their every note.
Now, of the original pioneers, only septuagenarian master multi-reedman Roscoe Mitchell and veteran drummer Famoudou Don Moye remain, outrageous and eternal fixtures of the music.
New instrumental voices have changed their sound. Young bassman Junius Paul and the Houston-born trumpeter Hugh Ragin play in the long-held places of Malachi Favors, Lester Bowie and Joseph Jarman.
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