To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
The Eastside Jazz Club, Leytonstone, London E11
HERE’s an unlikely venue for some hot jazz: the Leytonstone Ex-Serviceman’s Club, East London.
Up the stairs and it’s a large, comfortable chamber with a lively bar and excellent acoustics. And who were playing tonight? A quartet of Caribbean-rooted luminaries with powerful, liberating sounds, led by saxophonist Vaughan Hawthorne-Nelson, with Stepney-born drummer Mark Mondesir, master pianist Robert Mitchell from just up the Central Line in Gants Hill, and veteran bassist Larry Bartley.
Hawthorne-Nelson’s prowess on alto and soprano saxophones is outstanding. As he opened with his alto’s fleeting, lightning runs on his own tune, Cereal Killer, with Mitchell swinging his keys like a sonic athlete, Bartley walking his bass expertly and Mondesir chomping on his drums, it was soon clear that this was to be a luminous night of music.
CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance
As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet


