Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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An ongoing sense of ‘startling dread’
MICHAL BONCZA recommends an exhibition of uncompromising paintings by a 17th century artist whose work speaks to our own times
Head of Saint John the Baptist 1644
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
Ribera: Art of Violence
Dulwich Picture Gallery, London
JOSE (JUSEPE) RIBERA was born in Xativa near Valencia, a town famous in Roman times for its linen and where later the Arabs introduced paper-production technologies.
Ribera came from a well-to-do household, but he was attracted by Italy and the career in letters favoured by his family was shunned in favour of adventure. By 1612, aged 21, he was in Rome and lived in the house of a cardinal impressed by his dexterity at copying frescos. Locals started calling him Lo Spagnoletto (the Little Spaniard).
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