MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
I create, therefore I am
GAVIN O’TOOLE explores the resistance expressed by central American artists to their own erasure by US imperialist policies
FORGOTTEN GENOCIDE: Regina Jose Galindo, “¿Quien puede borrar las huellas?”, (“Who can erase the footprints?”)
[Lutz Teutloff Museum/flickr/CC] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
Visual Disobedience: Art and Decoloniality in Central America
Kency Cornejo, Duke University Press, £22.99
IT is a breathtaking revelation to learn that, to date, no US academic book has offered a history of Central American art, analysed it in relation to the legacies of its own brutal colonialism in the isthmus, or examined the resulting decolonial resistance this has spawned.
Such a powerful observation by Kency Cornejo in itself represents a protest against the sub-region’s invisibility in colonial aesthetics, and the author goes on to offer potent examples of the creative backlash this has given rise to.
It is not a niche observation confined to the rarefied air of university art history departments but one with profound significance for postcolonial studies that extends far beyond the field in real time.
More from this author
Here’s an antidote to the Venezuela election-induced tantrums of Western elites. GAVIN O’TOOLE reviews it
GAVIN O’TOOLE applauds an analysis of culture that explains why political conflicts today are focused more on values and identity than the economy and social questions
GAVIN O’TOOLE observes that the call for a new international framework for conflict mediation is fatally marred by a partisan position on the Isreali-Gazan conflict
The argument that labour parties, supported by conservative trade unions, are instrumental to capitalism has contemporary resonance, suggests GAVIN O’TOOLE
