Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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The neoliberal jackboot stamping on a human face
GAVIN O’TOOLE applauds an analysis of culture that explains why political conflicts today are focused more on values and identity than the economy and social questions
SHORT-LIVED AUTONOMY: Thousands of hippies gather on ‘Hippy Hill’ in Golden Gate Park, San Francisco, April 2010
[Dan Schooling/SanctusAbMortis/CC]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Crisis of Culture: Identity Politics and the Empire of Norms
Olivier Roy, translated by Cynthia Schoch and Trista Selous
Hurst, £20
IN 1992 when the New Right’s neoliberal revolution was still in full flood, the Marxist thinker Terry Eagleton wrote an essay in which, with great prescience, he foretold a crisis of contemporary culture.
Taking the English literary canon as an example, he argued that right-wing intellectuals were turning literary theory — and by extension the canons of high culture — into an arena of intensive political contestation.
Eagleton wrote: “It is no doubt for this reason that the infighting over something as apparently abstruse as literary theory has been so symptomatically virulent; for what we are really speaking of here is the death of civilisation as we know it.
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PHIL KATZ applauds the biography of a man of principle that is a vibrant excavation of the radical tradition itself
GAVIN O’TOOLE welcomes an analysis of the radical right in Latin America as polarising ‘influencers’ who ignore material values
GAVIN O’TOOLE explores the resistance expressed by central American artists to their own erasure by US imperialist policies
GORDON PARSONS negotiates an exhaustive biography of WH Auden that explores his growing detachment from England