MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
The end of dialogue
SIMON PARSONS applauds an assured and enjoyable adaptation of Ali Smith’s meditative and pessimistic novel about Brexit Britain

Autumn
The North Wall Arts Centre, Oxford
ALI SMITH’s 2017 Booker Prize short-listed novel was regarded as one of the first post-Brexit works dealing with the ramifications of the previous year’s European Union membership referendum.
Its depiction of an increasingly insular and fearful country, set on erecting fences while petty, pedantic officialdom flourishes has proved remarkably prescient.
Harry McDonald’s timely adaptation of the novel remains essentially true to Smith’s work revelling in the nature of words, but has even broader implications now with nationalistic European movements growing ever stronger and the re-election of Donald Trump, with his alarmingly hostile and isolationist agenda.
Similar stories

SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials

SIMON PARSONS applauds a tense and thoughtful production that regularly challenges our political engagement and prejudices

MARY CONWAY applauds a brilliant theatrical adaptation of Sam Selvon’s classic 1950s novel of oppression, betrayal and resilience

SIMON PARSONS applauds a moving version of Ishiguro’s vision of a world in which science and ethics have diverged