MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Outstanding Windrush drama
MARY CONWAY applauds a brilliant theatrical adaptation of Sam Selvon’s classic 1950s novel of oppression, betrayal and resilience
COMPLEX INNER LIVES: The cast of The Lonely Londoners
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ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
The Lonely Londoners
Kiln Theatre, London
THE play, The Lonely Londoners, sees playwright Roy Williams and director Ebenezer Bamgboye join forces to adapt Sam Selvon’s exquisite classic novel of the 1950s and land it in fabulous form on the Kiln stage.
You’d think it would be impossible to capture a book of such literary and geographical precision in one confined space. The Kiln team, however, not only fulfil the dream but create an exemplary piece of theatre.
The setting is familiar: London in the 1950s with the Windrush generation flowing in. Trinidadian Moses, now living in London, fulfils an accidentally acquired role: that of meeting new arrivals from the Caribbean and helping them navigate the big bad city.
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