GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
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The heart of the Matti
DENISE MINA tells Angus Reid why she's updated Brecht's anti-capitalist satire to the era of zero-hours contracts and food banks
FORENSICALLY FUNNY: Denise Mina in rehearsal
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
MR PUNTILA and his Man Matti was Bertholt Brecht’s idea of a popular comedy — a sure-fire socialist crowd-pleaser. He believed in the play so much that in 1948 he used it to launch the Berliner Ensemble, the legendary theatre company whose practice still resonates globally.
He wrote it in Finland in 1940 while he hopped from country to country, staying one step ahead of the nazi occupations of European countries. Among his work of that period it is the odd one out, being entirely to do with economic relations and nothing to do with the war.
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