MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
There ain’t no yellow brick road running through Glasgow
STEF LYONS is swept along by the infectious energy of an ex-con single mother’s dreams of Nashville
LAST SUPPER BEHIND BARS: Dawn Sievewright as Rose Lynn with the cast of Wild Rose
[Mihaela Bodlovic] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
Wild Rose,
Royal Lyceum, Edinburgh
I WASN’T sure what to expect with Wild Rose: all I knew was that it was something to do with Country and Western music. Sorry, Country Music (I’ve learned my lesson).
This show was a Bafta-nominated film in 2018 starring Jessie Buckley as the titular Rose-Lynn and had its world premiere on stage at the Lyceum in Edinburgh. It’s a juke-box musical about a single mother, just released from prison, trying to get back to her life but also add a bit of musical sparkle to it along the way.
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MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
SIMON PARSONS applauds a moving version of Ishiguro’s vision of a world in which science and ethics have diverged