Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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On a Dark Night With Enough Wind by Lilla Pennant
Evocative accounts of life on the edge in rural Wales
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
LILLA PENNANT’S real-life stories from the remote north Wales villages of Tremeirchion and Sodom — drawn from conversations she had with old residents back in the 1970s and ‘80s — have about them the faint whiff of witchcraft and paganism, allied to a nicely crafted atmosphere of rain and wind on the hillsides and moors thereabouts.
What they don’t have, though, is a great deal of substance. Despite vague allusions to long-held secrets that Pennant might be able to uncover, nothing much is ever revealed, at least in terms of old-time magic or druidic practices.
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