ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
LILLA PENNANT’S real-life stories from the remote north Wales villages of Tremeirchion and Sodom — drawn from conversations she had with old residents back in the 1970s and ‘80s — have about them the faint whiff of witchcraft and paganism, allied to a nicely crafted atmosphere of rain and wind on the hillsides and moors thereabouts.
What they don’t have, though, is a great deal of substance. Despite vague allusions to long-held secrets that Pennant might be able to uncover, nothing much is ever revealed, at least in terms of old-time magic or druidic practices.
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
MATTHEW HAWKINS applauds a psychotherapist’s dissection of William Blake
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse



