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Alvaro Uribe is found guilty of witness tampering and procedural fraud, reports NICK MACWILLIAM
Powerful, allusive sounds of Philadelphia
On the anniversary of the implementation of the 1833 Slavery Abolition Act, ROGER McKENZIE warns that the legacy of black enslavement still looms in the Caribbean and beyond
Starmer’s decision to recognise Palestine only as long as Israel continues to massacre its inhabitants has been met with outrage, writes LINDA PENTZ GUNTER
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
RAMZY BAROUD explains why the world can no longer ignore Palestine
Starmer’s decision to suspend Diane Abbott yet again demonstrates a determination to maintain and propagate a hierarchy of racism, writes CLAUDIA WEBBE
Albert Heath
Kwanza (The First)
(Elemental)
Jimmy Heath
Picture of Heath
(Elemental)
KWANZA (Swahili for “first”), an album released on the Xanadu label in 1973, was a first for three reasons.
It was Albert “Tootie” Heath’s first album as leader, his first as composer and for the first time on record the three musical Heath brothers had played together as a trio — drummer Tootie, reedman Jimmy and bassist Percy, combining for Percy’s tune Oops!
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CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
