Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Eh? Aye! Definitely!
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
Second Cumming - Bella Caledonia 2020, by Lorna Miller
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Eh? Aye! The Artwork of Lorna Miller
Glasgow School of Art
CLIMBING up Garnethill last week, I wandered past the Glasgow Film Theatre festooned with the flag of Palestine as protesters stood in solidarity with the workers within who had chosen to serve solidarity rather than the products of companies profiteering out of the Israeli state’s illegal occupation.
Their victory in persuading their employer to do the right thing came as a result of concerted action when it was at its most visible, during the Glasgow Film Festival.
Turning the corner to continue the climb onto Renfrew Street we are faced with the results of what happens when scrutiny fails. Appropriately enough, what remains of the once world-renowned Mackintosh building at the Glasgow School of Art remains under wraps.
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