MARK TURNER holds on tight for a mesmerising display of Neath-born ragtime virtuosity

DURING the mid-1990s, Naoya Hatakeyama wandered the Tokyo streets at night, observing the patterns of lights in and around the city.
When spotting perplexing or alluring forms he would photograph each with a reduced exposure time, to eliminate insignificant detail and allow the light alone to reveal the semi abstract motifs within the image.
“I started taking pictures of this kind of light with a small camera around 1995. I got on a motorcycle every night and went out here and there and gathered only the lights of the buildings,” he said once, describing his modus operandi.

MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray

Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII

Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet

New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny