To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Poignant memories of personal and political resistance in the era of Argentine's ‘disappeared’
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Resistance
by Julian Fuks
(Charco Press, £12.99)
IN ARGENTINA there were at least 500 children among the 30,000 “disappeared” who were kidnapped by the government or born in detention during the military dictatorship that ran the country from 1976 to 1983.
Most of these children were given to military families, while some ended up being illegally adopted by civilians, but, thanks to the tireless work of the Grandmothers of Plaza de Mayo (Abuelas de Plaza de Mayo), 128 of those children have been found and informed of their real identities to date.
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