GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
The Atlas of Brutalism
Revelatory images of a maligned architectural movement, whose democratic intent has transformed the public space
Rozzol Melara, Carlo Celli, Trieste, Italy 1982
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
“BRUTALISM” — the greatest misnomer in cultural vocabulary today — is in fact quite the opposite. An architecture of care, it embraces humanism, solidarity and unbridled imagination and by definition is participatory, aspirational and inherently democratic.
It hasn’t always succeeded aesthetically but as an endeavour it has had universal appeal for decades.
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