STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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The real stuff of legend
TONY BURKE recommends a biography which sets the record straight on the great blues musician Robert Johnson
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
THOUGH he only made 40 recordings, US blues artist Robert Johnson’s legacy has endured for over eight decades and his songs are now part of the blues canon.
Those recordings — some were never issued and others were alternate takes — were made in 1936 and 1937, yet even with such a modest catalogue Johnson’s influence has stretched from the late 1930s to the post-war Chicago blues era of Muddy Waters, Elmore James and Howlin’ Wolf through to the 1960s, 1970s and beyond.
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