GEOFF BOTTOMS applauds a version set amid the violent conflicts of the 19th century west African Oyo empire before the intervention of British colonialism
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Tom King pays tribute to the subversive illustrator TOM OF FINLAND
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SEAMUS HIGGINS introduces some basic facts about the role of sugar in driving a worldwide crisis of diet-related diseases
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RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
THROUGHOUT post-classical art, there’s a venerable tradition of male erotica hiding in plain sight.
Michelangelo’s David, Fabre’s Death of Abel and numerous scantily clad — if a little punctured — Saint Sebastians, to name but a few, indulged homosexual desire as much as they conveyed religious sentiment, and often more so.
For the most part, these works were only ever gazed upon by an elite, privileged few. But, as John Berger pointed out, mass-production democratised the image as much as the printing press did the written word.
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