MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
Eh? Aye! Definitely!
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
Second Cumming - Bella Caledonia 2020, by Lorna Miller
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
Eh? Aye! The Artwork of Lorna Miller
Glasgow School of Art
CLIMBING up Garnethill last week, I wandered past the Glasgow Film Theatre festooned with the flag of Palestine as protesters stood in solidarity with the workers within who had chosen to serve solidarity rather than the products of companies profiteering out of the Israeli state’s illegal occupation.
Their victory in persuading their employer to do the right thing came as a result of concerted action when it was at its most visible, during the Glasgow Film Festival.
Turning the corner to continue the climb onto Renfrew Street we are faced with the results of what happens when scrutiny fails. Appropriately enough, what remains of the once world-renowned Mackintosh building at the Glasgow School of Art remains under wraps.
More from this author
