MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
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On a Dark Night With Enough Wind by Lilla Pennant
Evocative accounts of life on the edge in rural Wales
STEVE ANDREW recommends a lively and often moving guide to once vibrant spaces that have been abandoned or swept away
GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
LILLA PENNANT’S real-life stories from the remote north Wales villages of Tremeirchion and Sodom — drawn from conversations she had with old residents back in the 1970s and ‘80s — have about them the faint whiff of witchcraft and paganism, allied to a nicely crafted atmosphere of rain and wind on the hillsides and moors thereabouts.
What they don’t have, though, is a great deal of substance. Despite vague allusions to long-held secrets that Pennant might be able to uncover, nothing much is ever revealed, at least in terms of old-time magic or druidic practices.
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