MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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Artless anti-life
ANGUS REID is unimpressed by the reactionary undertow in an exhibition of melancholic Perthshire landscapes and photographs
(Left) PloughedFfield South Farr and (right) Black Crow by a Stony Path
[scottish-gallery] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
Philip Braham: Closer to Home
The Scottish Gallery, Edinburgh
PHILIP BRAHAM’S new exhibition is prompted, he says, by reflections on suicide.
In it, solitary trees stand out against poisonous skies, while stony paths wander into the centre of the composition and go nowhere.
The whole enterprise recalls the gloomy romanticism of the 19th-century German painter Caspar David Friedrich, whom Braham cites as a major influence.
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