MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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‘You can hear what a beautiful player he was’
Chris Searle speaks to VAL WILMER about veteran virtuoso New Orleans clarinettist Albert Nicholas
Albert Nicholas
[Gottlieb William P/Creative Commons] 
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WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
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TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
IT WAS the summer of 1973. The Victoria and Albert Museum in plush South Kensington was showing Val Wilmer’s powerfully evocative exhibition of jazz and blues photographs, Jazz Seen: The Face of Black Music.
There too for a rare and final London recital was the veteran virtuoso New Orleans clarinettist Albert Nicholas, who was to die that year. In his younger days he had been tutored by the master Crescent City clarinet genius Lorenzo Tio, and had played in the bands of King Oliver, Jelly Roll Morton and Louis Armstrong.
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