STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Sorolla: Spanish Master of Light, National Gallery, London
There are some luminous treasures in an exhibition of work by the leading Spanish impressionist
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
JOAQUIN SOROLLA Y BASTIDA was born in 1863 in Valencia at a turbulent time in Spanish history, when civil wars were raging.
The country’s first republic was briefly established in 1873 and the political and intellectual ferment continued and intensified with the emergence of the “Generation 98” of novelists, poets, essayists and philosophers.
Among its most prominent figures were writers Miguel de Unamuno, who Sorolla painted in 1912, Ramon del Valle-Inclan, Pio Baroja and the poet Antonio Machado.
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