Skip to main content
Donate to the 95 years appeal
A woman for all seasons
A wondrous celebration of Joan Eardley - the great painter who transformed the languages of the past, and who dared incoherence to advance the language of the present, writes ANGUS REID
(L to R) Girl with a Poke of Chips, 1960 – 63; Seascape, c1961

Joan Eardley Centenary,
★★★★★
The Scottish Gallery, Edinburgh

ALTHOUGH she died at the age of 42 in 1963, Joan Eardley is a central figure in British 20th-century art, whose work in the 1950s and ’60s reinvents the language of social realism to make a vision of the urban poor, and also puts up a uniquely British and figurative response to the Abstract Expressionist school of America. It is a single-minded achievement that defines the best of post-war British art.

The Scottish Gallery in Edinburgh has been showing her work since 1957, and gave her a first solo show in 1961. This celebration of the centenary of her birth is the fruit of remarkable loyalty and careful curatorship. Although it limits itself to small-scale works, it displays hitherto unknown paintings and drawings that mark the key movements of Eardley’s career. If anything, the show profits from a reduced scale to render the overall shape of her achievement even more accessible.

From the perspective of another millennium Eardley emerges as a pivotal figure, who reaches back into the 19th-century tradition of realism, and also forward towards a new vision of landscape. As a creative woman in post-war Britain she resembles her exact contemporary Sylvia Plath for the unique lyricism, empathy and daring formalism of her best work.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
hidden door
Art festival / 16 June 2025
16 June 2025

ANGUS REID applauds the ambitious occupation of a vast abandoned paper factory by artists mindful of the departed workforce

misrepresenting
BenchMarx / 22 May 2025
22 May 2025

ANGUS REID calls for artists and curators to play their part with political and historical responsibility

HONOURED: The Monument to International Brigades on the site
BOOKS / 29 January 2023
29 January 2023
ANGUS REID recommends a landmark work of aural history that follows the intertwined lives of four International Brigaders
Gloria Abernethy sells the Black Panther newspaper while Tam
Photography / 23 December 2022
23 December 2022
ANGUS REID reviews a book that is an important and comprehensive work of documentation
Similar stories
CONFRONTING HOMOPHOBIA: (L) FCB Cadell, The Boxer, c.1924; (
Exhibition review / 21 March 2025
21 March 2025
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
TIMBERS SHIVERED: The cast of Treasure Island at the Royal L
Theatre review / 29 November 2024
29 November 2024
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
(L) Vincent Van Gogh, Self-Portrait, 1889; (R) The Large Pla
Exhibition review / 26 September 2024
26 September 2024
CHRISTINE LINDEY identifies the socialist impulse and sympathy with working people that underlies the artistic mission and inspired work of Vincent Van Gogh
COMPASSION AND REGRET: David with the Head of Goliath (c. 16
Book Review / 18 September 2024
18 September 2024
GORDON PARSONS finds that it is the ambiguity with which Caravaggio’s art now challenges the beholder that establishes his ‘modernity’