Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Road runs out of mileage in new age of austerity
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Road
Leeds Playhouse
THE HALLMARKS that brought Jim Cartwright to national prominence with The Rise and Fall Of Little Voice are all there in his debut play Road.
Road-runner: Lladel Bryant as DJ Bisto (Pic: Kirsten McTernan)
Premiered in 1986, and set in a working-class northern town decimated by the Thatcher government, it's largely written as a series of monologues, with roguish narrator Scullery (Joe Alessi) introducing the road’s inhabitants on Hayley Grindle’s split-level stage.
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This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces