To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
JARRAH was at the door with a smile as bright as the arvo itself, his white Ceridwen Plumbing van making coughing noises in the midday-heat in the driveway. He was wearing a loud tropical shirt with palm trees that promised paradise but was purchased at an op-shop. He seemed to call out from the scene when he said, “You called for a plumber?” We couldn’t stop a leak somewhere in the pipeline and it was seeping through a crack in the cement floor. My partner and I didn’t know what to do. We needed someone immediately, as the water had created a small pool in the laundry room and threatened to spread into a nearby bedroom and beyond. So, we called Ceridwen, which had a nasty reputation for overcharging customers, but was willing to come immediately. And here was Mr Smiles, introducing himself as Jarrah, an Aboriginal fella.
“Come in,” I said, and led him to the watery mess.
He eyed it quietly, and then said, “I’ll have to tear it up to get to the leak.”
After battling hills, rain and injury in a three-day cycle ride ending at the CWU conference, MATT KERR reflects on why class unity remains the answer to injustice
Gisele Pelicot said ‘shame must change sides.’ We may think we agree, but, argues LOUISE RAW, society still has some way to go
As peers prepare to debate reform of the 1861 Offences Against the Person Act, Labour MP Tonia Antoniazzi leads a bid to end the criminalisation of women who end pregnancies at home. LYNNE WALSH reports
MATT KERR charts his bike-riding odyssey in aid of the Royal Marsden charity and CWU Humanitarian Aid


