ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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The medium was his message
MICHAL BONCZA recommends an exhibition of George Him's designs, revealing his pioneering use of colour and modernist techniques in visual communication
George Him's work
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GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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WHEN Jerzy Himmelfarb came to Britain in 1937 from Lodz in Poland, he and his partner, the artist, designer and illustrator Jan Le Witt, had a portfolio significant enough to be invited to exhibit by publishers Lund Humphries and have the V&A ask for samples of their work.
There and then, they decided to relocate to England to further their careers and Himmelfarb anglicised and shortened his name to Him, sacrificing in the process the poetry of the family surname which in Yiddish means “colour of the sky.” Jerzy is just plain George in Polish.
With his resettlement, Him brought with him the avant-garde, modernist aesthetics of central Europe to Britain, which this delightful retrospective of Him’s seminal work engagingly catalogues.
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