Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Highly relevant raconteuring
TOM STONE recommends the sonic and visual impact of a band that keeps evolving, musically and politically
Public Service Broadcasting play Brighton Dome
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SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Public Service Broadcasting
Brighton Dome
TONIGHT at the Brighton Dome we strap ourselves into the cockpit of Electra — Amelia Earhart’s plane — as Public Service Broadcasting take us on a journey celebrating her life and her Last Flight (the title of their new concept album).
Earhart is revealed through the new songs as a still highly-relevant icon of female empowerment. Her ethos is perhaps best embodied by PSB’s recent single The Fun Of It – the title a direct quote from the great aviator in answer to the question of why she undertook such challenges.
It’s a song that goes down well with the Brighton crowd, vocals expertly provided, as they are for much of the night by EERA. It’s also indicative of the journey of growth this band is still on, these days embracing vocals just as much as their trademark spoken-word samples.
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