As tens of thousands return to the streets for the first national Palestine march of 2026, this movement refuses to be sidelined or silenced, says PETER LEARY
Latest editorial
How neoliberalism hides its true face
Ian Sinclair talks to academic JOEL BAKAN about his new book on corporate power and asks whether multinational giants have really changed and what concerned citizens can do to resist capital’s assault on democracy
If the government really wanted to address public finances, improve living standards and begin economic recovery, it would increase its borrowing for investment, argues MICHAEL BURKE
MATT KERR takes a winter journey through poetry, labour and memory, from Glasgow to Newcastle, arguing that our radical past isn’t something to revere from a distance, but a tool still meant to be used
One of Canada’s most revered politicians is a native of Falkirk but is relatively unknown in his original homeland. KENNY MacASKILL tells his story
Labour prospects in May elections may be irrevocably damaged by Birmingham Council’s costly refusal to settle the year-long dispute, warns STEVE WRIGHT
HENRY FOWLER and ROB POOLE explain the significance of today’s Megapicket
Academic and author Joel Bakan
PUBLISHED in 2004 alongside the 2003 film documentary of the same name, Joel Bakan’s The Corporation: The Pathological Pursuit of Profit and Power was a timely and influential critique of the central institution of contemporary capitalism.
Bakan, professor of law at the University of British Columbia in Canada, has now published a sequel — The New Corporation: How ‘Good’ Corporations Are Bad For Democracy.
Similar stories
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces