A ‘new phase’ for Starmerism is fairly similar to the old phase – only worse. ANDREW MURRAY takes a look
An eloquent lesson in classroom resistance
JOHN GREEN remembers the moment when Stepney Words, a book of poetry by working-class schoolchildren, rocked the East End of London
FIGHTING FOR THEIR RIGHTS: Pupils of the Sir John Cass Foundation and Red Coat Church of England Secondary School demand the reinstatement of Christopher Searle
Macron is seeking a centrist replacement for the pro-austerity French PM, while the emergence of the grassroots Bloquons Tout movement means for the left there’s a period of struggle ahead – and all to play for, writes BILL GREENSHIELDS
The Met Police arrested a staggering 890 people, many elderly, disabled, and even blind in a single demonstration — all to back up the government’s unhinged campaign against non-violent civil disobedience at the behest of Israel, writes CLAUDIA WEBBE
The people of Palestine need our solidarity in actions not words – trade unionists must give them our full support in their darkest hour, writes DANIEL KEBEDE
Investing the £75 billion slated for defence spending on a green new deal, healthcare and education would create jobs and help communities far more than weapons spending, argues UCU general secretary JO GRADY
BEN CHACKO reports on fears at TUC Congress that the provisions in the legislation are liable to be watered down even further
THIS month marks 50 years since Chris Searle, a young English teacher at the Sir John Cass school in London’s East End, hit the headlines after being sacked for encouraging his pupils to write poetry about their own lives and neighbourhoods.
The school’s pupils came from a variety of cultural backgrounds, black and white, virtually all working class and very often poor. From the word go, these children had been treated as incapable of going far in life, as barely educable and told repeatedly that they were thick, so any hopes or ambitions they might have had for their lives was stymied before they had a chance.
Searle refused to accept this view, knew that these children had more to offer and could be enormously creative if they were given the chance.
More from this author
Despite the primitive means the director was forced to use, this is an incredibly moving film from Gaza and you should see it, urges JOHN GREEN
JOHN GREEN recommends an Argentinian film classic on re-release - a deliciously cynical tale of swindling and double-cross
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
