MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
War and Homeland
RUTH AYLETT reviews two books of poetry, one by the Iranian American Marjorie Lofti, the other by the British Lebanese Omar Sabbagh
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
The Wrong Person to Ask
Marjorie Lotfi, Bloodaxe, £10.99
Night Settles Upon the City
Omar Sabbagh, Darajah Press, £12.29
BIG poetry prizes often seem to go to work that is much more accessible to literary folk and other poets than to less specialised readers. But this is not in the least true of The Wrong Person to Ask, by Marjorie Lotfi, which has just won the prestigious Forward Prize for Best First Collection.
Lotfi is the child of an Iranian father and American mother, and has early memories of her family’s flight from Iran in 1978 after the ayatollahs came to power – as she writes in The Game: “the game of hiding mother/ on the way to the airport/ father at the barrier/ while we went on ahead.”
The collection’s first half includes poems of exile and the experiences of a refugee: in Alarm I she remembers her school in Iran being set on fire with the pupils still in it, and in Alarm II her later US school practising an evacuation in case of a nuclear attack by the Russians. There are vivid memories of her lost Iranian family, and of the smells and sights of her childhood. Other poems encompass the Middle East traumas in Syria and Gaza.
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